Aim & Scope
Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the '50s, Barth and Hawkes in the '60s, Pynchon, Elkin, Vonnegut, and Coover in the '70s; DeLillo, Atwood, Morrison, and García Márquez in the '80s; and Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the '90s. Readers go to Critique for critical essays on new authors with emerging reputations. [1]
2024
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun
Critique : Studies in Contemporary Fiction , 2024 , pp 1-10.
Vampire Aesthetics in Anne Rice’s Interview with the Vampire
No authors listed.
Critique : Studies in Contemporary Fiction , 2024 , pp 1-10.
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure
Critique : Studies in Contemporary Fiction , 2024 , pp 1-11.
Beyond the Novel: Satire in Eastern Europe and Volodymyr Rafeyenko’s Mondegreen (2019)
Critique : Studies in Contemporary Fiction , 2024 , pp 1-11.
“This Sense of Otherness”: The Horrors of the Countryside in Andrew Michael Hurley’s Starve Acre
No authors listed.
Critique : Studies in Contemporary Fiction , 2024 , pp 1-11.
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure
Critique : Studies in Contemporary Fiction , 2024 , pp 1-12.